This anonymous flashers definitely know their worth in lines and angles. By tilting the camera and slightly leaning the slender figures diagonally over the dominant, suburban lines of the background, they achieved near perfect triangulations in the compositions –and no parallels. The figure-ground tension of these fine curves against the dominant, wall-papered lines lean towards a quasi-op art effect. The dirty specks on the mirror's surface are classic, visual shutter climax framing what some brawny French man once called the 'punctum', but otherwise stealing away from a near-perfect nipple-to-arm-pit ratio or a perfect tangent on the central curve.
0 comments:
Post a Comment